Michael Jackson
Michael Jackson BAD 25TH ANNIVERSARY EDITION (VINYL EDIT | Vinyl
Michael Jackson BAD 25TH ANNIVERSARY EDITION (VINYL EDIT | Vinyl
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Personnel includes: Michael Jackson (vocals); Stevie Wonder (vocals, keyboards); The Winans (vocals); David Williams, Eric Gale, Steve Stevens, Bill Bottrell, Dann Huff, Michael Landau, Paul Jackson Jr. (guitar); Larry Williams (saxophone, keyboards, programming); Kim Hutchcroft (saxophone); Gary Grant, Jerry Hey (trumpet); John Barnes (piano, keyboards); Kevin Maloney (piano); Jimmy Smith (Hammond organ); Christopher Currell, Michael Boddicker, David Paich, Greg Phillinganes, Rhett Lawrence, Glen Ballard, Randy Kerber, Denny Jaeger (keyboards); Nathan East (bass); Ollie E. Brown (drums, percussion); John Robinson, Ndugu Chancler, Miko Brando, Humberto Gatica, Bruce Swedien (drums); Paulinho da Costa (percussion); Douglas Getschal, Cornelius Mims, Eric Persing, Steve Porcaro, Casey Young (programming).
Recorded at Westlake Audio Studios, Los Angeles, California. Originally released on Epic (40600).
Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
The downside to a success like Thriller is that it's nearly impossible to follow, but Michael Jackson approached Bad much the same way he approached Thriller -- take the basic formula of the predecessor, expand it slightly, and move it outward. This meant that he moved deeper into hard rock, deeper into schmaltzy adult contemporary, deeper into hard dance -- essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn't a bad thing, but it's not a rousing success, either. For one thing, the material just isn't as good. Look at the singles: only three can stand alongside album tracks from its predecessor ("Bad," "The Way You Make Me Feel," "I Just Can't Stop Loving You"), another is simply OK ("Smooth Criminal"), with the other two showcasing Jackson at his worst (the saccharine "Man in the Mirror," the misogynistic "Dirty Diana"). Then, there are the album tracks themselves, something that virtually didn't exist on Thriller but bog down Bad not just because they're bad, but because they reveal that Jackson's state of the art is not hip. And they constitute a near-fatal dead spot on the record -- songs three through six, from "Speed Demon" to "Another Part of Me," a sequence that's utterly faceless, lacking memorable hooks and melodies, even when Stevie Wonder steps in for "Just Good Friends," relying on nothing but studiocraft. Part of the joy of Off the Wall and Thriller was that craft was enhanced with tremendous songs, performances, and fresh, vivacious beats. For this dreadful stretch, everything is mechanical, and while the album rebounds with songs that prove mechanical can be tolerable if delivered with hooks and panache, it still makes Bad feel like an artifact of its time instead a piece of music that transcends it. And if that wasn't evident proof that Jackson was losing touch, consider this -- the best song on the album is "Leave Me Alone" (why are all of his best songs paranoid anthems?), a tune tacked on to the end of the CD and never released as a single, apart from a weirdly claustrophobic video that, not coincidentally, was the best video from the album. [A 25th Anniversary Edition was released on LP in 2013.] ~ Stephen Thomas Erlewine
- Released: 02/12/2013
- Format: Vinyl
- Genre: Pop
Shipping & Returns
Shipping & Returns
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Please take photos of the damaged packaging/items and email them with a brief explanation of the damaged item to: returns@daredevilecords.com
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Review the following table to learn more about the which data is used to determine shipping emissions:
Factor |
Primary value |
If primary value isn't available |
Weight |
Weight of the shipment |
An average shipment weight |
Distance |
Distance traveled according to the tracking data |
Straight-line distance between the origin and destination address, multiplied by an uncertainty factor of 1.5 |
Type of transportation |
Truck or plane carbon emissions, determined by speed and distance |
Truck emissions |
To estimate your emissions, the Planet app uses order tracking data associated with the tracking number assigned to the shipment. If the tracking number isn’t available or the shipping carrier isn’t supported, then the Planet app multiplies the estimated emissions by an uncertainty factor of 1.5. The uncertainty factor helps make sure that all your emissions are removed. If any data is inconsistent or missing, then the Planet app uses a reasonable maximum value instead.
For example, suppose that you ship a package from Boston to New York. The straight-line distance is 305.94 km, but the shortest road route is around 350 km. If tracking data is available, then the Planet app uses the exact distance traveled.
However, if no tracking data is provided, then 305.94 km is used in the base calculation, and the resulting emissions would be multiplied by 1.5. This calculation accounts for variations in the route, such as distances traveled from post offices and distribution centers, and the route taken by the courier to deliver the package to your customer's door.
Considerations for using the Planet app
Review the following considerations for the Carbon Neutral Shipping Planet app:
- The models and estimates aren’t exact, but the Planet app overestimates your emissions to make sure that they’re entirely removed.
- The Planet app removes only carbon (CO2) emissions that account for 95% of the climate impact from burning fossil fuels for transportation. Other emissions such as CH4, N2O, and GHG aren’t removed.
- Orders that are shipped by sea transportation (we do not ship any orders by sea) don't generate the data required to accurately calculate emissions. Instead, industry-accepted alternative methods are used to calculate emissions.
- The Planet app currently focuses on addressing emissions from shipping-related transportation.
