Phoenix
Phoenix BANKRUPT! | Vinyl
Phoenix BANKRUPT! | Vinyl
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Somewhat sneakily, as they honed their blend of new wave, synth pop, soft rock, and all things '80s for the better part of a decade, Phoenix became one of the most influential acts of the 2000s and 2010s. When they married that distinctive style to some of their strongest songs on 2009's Wolfgang Amadeus Phoenix, that album's mainstream success felt like a well-earned reward for their years of defining a sound that had permeated a lot of pop culture. Its follow-up, Bankrupt!, isn't nearly as devoid of new ideas as its title suggests, but it doesn't feel like quite the leap forward Wolfgang was compared to what came before it. Not that it necessarily needs to be; Phoenix sound more comfortable and confident than ever on songs like the lead single, "Entertainment," which defines almost everything that they do on the rest of the album with its galloping beats, earnest vocals, and Asian-tinged keyboard melodies. "Trying to Be Cool," "Don't," and "Oblique City" also carry over the bouncy irresistibility of the band's breakthrough, and even if they don't have the star-making power that "1901" and "Lisztomania" did, they reveal Phoenix's deep love and even deeper knowledge of '80s pop magic in their deft major-to-minor key changes and strategically placed buildups and breakdowns. These little touches help the band stand out among its like-minded contemporaries, and it helps that Phoenix have been drawing inspiration from the '80s longer than that decade actually existed (the fact that they mixed Bankrupt! on the console used in the making of Michael Jackson's Thriller might have contributed some good '80s karma as well). Elsewhere, they pay lip service to another of that decade's icons with "Drakkar Noir," and the way Thomas Mars pronounces it almost makes the overbearing cologne cool again. Here and on "The Real Thing," the band ponders and crosses the line between real and fake, taking it to new levels on "S.O.S. in Bel Air," which could reignite the debate between Strokes and Phoenix fans over who copied who first (and who does it better). Later on, things get interesting -- particularly for longtime fans -- when the band indulges its experimental side on songs like the seven-minute title track, which prefaces Mars' vocals with a lengthy stretch of baroque keyboards, and the expansive melancholy of "Chloroform" and "Bourgeois." Even if moments like these aren't exactly in keeping with the sound that broke Phoenix, they're a reminder that the bandmembers ultimately became popular by being themselves. Bankrupt! lets them celebrate with a victory lap that's enjoyable for all concerned. ~ Heather Phares
- Released: 042313
- Format: Vinyl
- Genre: Pop
Shipping & Returns
Shipping & Returns
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Please take photos of the damaged packaging/items and email them with a brief explanation of the damaged item to: returns@daredevilecords.com
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Factor |
Primary value |
If primary value isn't available |
Weight |
Weight of the shipment |
An average shipment weight |
Distance |
Distance traveled according to the tracking data |
Straight-line distance between the origin and destination address, multiplied by an uncertainty factor of 1.5 |
Type of transportation |
Truck or plane carbon emissions, determined by speed and distance |
Truck emissions |
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For example, suppose that you ship a package from Boston to New York. The straight-line distance is 305.94 km, but the shortest road route is around 350 km. If tracking data is available, then the Planet app uses the exact distance traveled.
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Considerations for using the Planet app
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- The models and estimates aren’t exact, but the Planet app overestimates your emissions to make sure that they’re entirely removed.
- The Planet app removes only carbon (CO2) emissions that account for 95% of the climate impact from burning fossil fuels for transportation. Other emissions such as CH4, N2O, and GHG aren’t removed.
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